FRANÇOIS MEURET (1800-1887)
A Young Lady in a tulle and cotton white gown with pale pink roses at her corsage
circa 1840-50
Watercolour on ivory (licence VHSLDP6T)
Oval, 96 mm (3 ³/₄ in) high
Signed 'Meuret'
Ormolu easel-stand frame with tied ribbon surmount
£6,500
Born in Nantes, Meuret studied in Paris with Louis François Aubry (1767-1851), setting up his solo studio on the same street as his former master. Meuret was miniature painter to Louis-Philippe (1773–1850), king of France. He was appointed chevalier of the Légion d'Honneur in 1864. Schidlof in his book ‘The Miniature in Europe’ describes him as ‘one of the best artists of the period’. Taking commissions largely from courtiers, he also shared a love of the artist Winterhalter with Queen Victoria, his attention to detail in miniature mirroring Winterhalter’s oils. Meuret was also important in furnishing the courts in the rest of Europe with portrait miniatures of their relations. In 1846, Hélène, duchesse d'Orléans, wrote to Queen Victoria on 17 July 'mon portrait est fini' and outlined her plans for Queen Louise of the Belgians to convey it to Windsor Castle on her forthcoming visit. This was successfully accomplished and Queen Victoria wrote in her Journal on 28 July 1846: 'Dear Hélène has sent me by Louise a charming portrait of herself – a miniature by Meuret, which is the image of her' (now Royal Collection Trust, RCIN 420348).
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