Portrait enamel of Master Henry Edward Bunbury (1778-1860), wearing red velvet coat with white shirt and buff trousers, against a landscape background

WILLIAM GRIMALDI, R.A. (1751-1830)

after Sir Joshua Reynolds P.R.A.

(1723-1792)

Portrait enamel of Master Henry Edward Bunbury (1778-1860), wearing red velvet coat with white shirt and buff trousers, against a landscape background

1830
Enamel on metal
Oval, 86 mm (3 ⅖ in) high
Signed ‘grimaldi’, lower right
Inscribed verso: ‘an enamel, / of Master Bunbury/ after Joshua Reynolds/ by Wm Grimaldi, Enamel/ Painter to His Majesty/ George IV/ 16 Upper Ebury Street, Chelsea’ (verso, some inscriptions illegible)
Wood frame with inner gilded mount

SOLD

'Henry Edward did not follow the artistic footsteps of his father and instead grew up to be a soldier and military historian. When this portrait was painted, however, he was still a young boy, around three years old.'

There are at least three known copies of Reynolds’ portrait of Master Henry Edward Bunbury by Grimaldi, though this is the only known enamel copy. Two others are listed in the catalogue of Grimaldi’s works published by a descendant of the artist in 1873, though both of these are in watercolour. The original watercolour was considered by Reynolds himself to be a masterpiece of miniature painting, and Grimaldi may have produced it in enamel here to prove his ability in a further medium which is notoriously hard to master. Grimaldi has listed his address as Upper Ebury Street on the reverse of the miniature, which was his address in 1830, meaning that this portrait was painted much later than the other two. In fact, it is listed in the 1873 catalogue as his twenty-third and final enamel, which was taken from the Royal Academy following his death.
The original portrait by Reynolds, who was the sitter’s godfather, remains in the Philadelphia Museum of Art (M1928-1-29).

Henry Edward Bunbury was the second Henry Bunbury to be painted by Reynolds, the first being his father, Henry William (1750-1811). He was known as a caricaturist working in a time when he was considered among the greats of his art form, including Thomas Rowlandson (1756-1827) and James Gilray (1756-1815). Henry Edward did not follow the artistic footsteps of his father and instead grew up to be a soldier and military historian. When this portrait was painted, however, he was still a young boy, around three years old. In 1787, he was appointed a page boy to Queen Charlotte (1744-1818). This appointment was likely through his father’s connections to Prince Frederick, then the Duke of York (1763-1827), to whom he had been appointed groom of the bedchamber in the same year. Henry Edward would later go on to serve in the Duke of York’s personal staff in the Netherlands in 1799.

Collection of Mary Ann Grimaldi (1803-1877), the artist’s daughter in law;
Collection of Charles Beaufort Grimaldi;
By whom sold in 1885 to ‘E.F.B (?)’;
By descent to ‘F.G. Juur’, in 1906;
Purchased by Philip Ranier Beaufort Grimaldi, 15th Marquis Grimaldi, in 1965;
Private collection.

A.B Grimaldi, A Catalogue, Chronological and Descriptive, of Paintings, Drawings, & Engravings, by and after William Grimaldi, R.A., Paris., London, 1873, no. 32, p. 12.

Royal Academy, London, 1830, no. 460.

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WILLIAM GRIMALDI, R.A.

(1751-1830)

Portrait enamel of Master Henry Edward Bunbury (1778-1860), wearing red velvet coat with white shirt and buff trousers, against a landscape background

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Worldwide shipping is included in all prices.

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See Section 7.5 in Terms & Conditions for information on export/import regulations. Please contact us to discuss shipping options. Some stock items contain materials from endangered species which are governed by CITES regulations and will require a permit to export outside of Great Britain. If a certificate of export is required then this will be the responsibility of and paid for by the buyer.

See Section 7.5 in Terms & Conditions for information on export/import regulations.

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